Archive for the ‘Video’ Category

Japan trip 2010

Wednesday, June 30th, 2010

Every summer Zen and Naoko go to Japan for four weeks when Zen has a month off from his Singapore school. This year they went at the beginning of June, and then on June 17th I flew off too to join them. And not a moment too soon – I was just so busy with so many different things before I left, it was crazy. The last day here I spent the day working from home, but I was really busy from morning until night, editing chapters from my book, helping out with office stuff, and cleaning the place. Very very busy. But it’s all good work and worth it.

I took a taxi to the airport on the evening of Wednesday June 16th around 11:30 PM, just before I left I took a shower, then prepared the suitcases, closed the windows, and called for a taxi. When the taxi arrived I put the suitcases in, but then ran back upstairs to check that I had locked properly. I had. Then 10 minutes later, when we were on the highway I began to wonder if I’d turned off the shower’s hot water heater!!! I half-remembered turning it off, I remembered looking around the dark room and not seeing it the heater light burning, but… I still wasn’t sure. I put the thought out of my mind, went to the airport, checked into the flight, had a beer, got on and flew to Osaka, landed on Thursday, July 17th at 8:20. Nothing interesting to report about the trip, except for the long-haired guy I saw in Kansai airport who was dressed in black and had a big backpack. The guy was tattooed all over his arms and neck, with the tats coming partially onto his cheeks. Pretty freaky.

After killing time in the airport for a while, I got on the 9:35 bus to Himeji with some Italians and some local sourpusses, listened to the same Nagisa Nite song over and over again as I read The Girl Who Kicked The Hornet’s Nest. Arrived at 11:30, met Naoko, got a ride with Jii-chan, got back, ate, drank beer, went to pray at the home shrine for baachan, and napped. Zen came back with Nanaka and I talked to them, then I napped some more, ate dinner. I remember at one point sitting at the small square table and thinking that I was very very very very happy. But I was tired, so I went upstairs and napped again – I would have gone to sleep for the night, actually but around 8:30 Masayuki and the family came and wanted to see me. I finally, really slept at 10:00.

Friday June 18th we went off at 10:00 shopping for sunglasses. At the first one we saw a cool set of Ray Bans at a ripoff price, the second and the third had nothing inspiring, but at the fourth we found very nice Ray Bans for a decent price. Worth the wait. Went to Tower Records, bought the Boris “Variations” CD and DVD, then got a cross necklace and a Detroit Metal City (DMC) wristband, a black Uniqlo t-shirt, bought tai-yaki, and went home. Oh yeah, we had Hope-ken ramen for lunch – delicious!

After a short break, went back out and bought Adidas short sports socks at Avail, then blank video camera cassettes at Japan. Dinner of Tonkatsu. Watching TV, Zen was scared because he saw a fake alien mummy on TV, asked me as he went to sleep to tll him “Jesus stories” to make him calm down and relax so that he could go to sleep. But he wasn’t scared and went to sleep quickly. Had strange dreams about being in the office in the middle of the night with Naoko, then there was water leaking from the next unit, then workers came, then TAB staff. Then I dreamed I was hailing a cab.

Saturday June 19th, woke up, had breakfast, went to Himeji Port, bought tickets to Ie-shima, talked to a fishing uncle about the fish he catches, went to Ie-shima, checked in to our lodge, ate onigiri, played catch, napped, Zen and I went for a paddle in a canoe, saw a big black snake baking in the sun. In the water, saw bluish-white jellyfish and red and white striped poison jellyfish, also beautiful herons. We paddled all over the bay, sometimes getting into difficulties when the wind pushed us in the wrong direction (i.e. out to sea), and I had quite a battle at some times. Wished we’d taken the sailboats… Got back, napped, Zen did homework, I read; we had a great balcony with a beautiful view of the shrubs. Went out to build the barbecue. Had major trouble getting the coals going, as I thought we would, but people who were finishing up gave us their coals and pretty soon we had a great batch of barbecued food. Went to the bath at 8:55, Zen went to sleep, then Naoko and I had a restful and wonderful sleep ourselves.

Sunday June 20th we woke up, chilled out, went for a hike to a nearby camping centre. Saw lots of crabs scurrying around, there was a smiley crab as well (see picture below). Heard a crow cawing “ah… ah…”,we said “ho… ho…”. Together it sounded like “A-ho. A-ho, Zen no A-ho…” Got back, ate our instant noodles, napped on the bench, then went for another canoe ride – this time all three of us in the boat. The wind was coming from the other direction, and it was much lighter, a more beautiful ride for sure. Forty minutes into our one-hour ride we heard distant thunder and felt a few drops, and very soon the dude from the office came out in a motor boat to tell us we had to go back because of the coming storm. Sheesh. The drops intensified a bit. We cleaned up our equipment and collected our bags to go at the office. Zen read more of the unchi book, which is about the different types of animal feces. We headed off for the ferry terminal, wearing our rain capes because the precipitation had intensified into a strong mistu. Seven minutes into our journey the rain stopped completely. Funny how Naoko had been worrying for a week that the weekend trip would be washed out, and how her father had been chiding her for booking any sort of an outdoor trip at all during the rainy season; it was, in fact, a beautiful, restful, gorgeous trip. Got to the ferry station – more of a bus stop than a terminal – and saw all the families that we had gotten to know at the nature centre. Took the boat back to Himeji, sat in the open-air back part and watched the islands slip past or zoom by. Got to Himeji, rode back with Jii-chan, chilled out, ate dinner, read more of my book, then went to sleep.

Monday June 21st, Zen went off to school at 7:15, I read my book, then at 10:20 Naoko and I went to River City to buy clothes – boxer shorts, sleeping pants, undershirts – and then I went to rent videos. Stangely, I couldn’t find any that I wanted to watch, so I left without renting anything. Went to an Internet cafe to check five days worth of emails, then headed back by 4:00. Showered, listened to Jesu while writing my journal and drinking beer. Felt extraordinarily good. Been watching the World Cup… can’t believe that irritating bee sound that drowns out all other sounds from the pitch. Went by bicydcle to Nagahama Ramen for gyoza and ramen- yummy. Went to Godai Pharmacy for some medicine stuff – open toe and ear wound cream, and underarm deodorant. Talked to Oma and Opa, talked to Matt as well. Started reading Murakami Haruki’s Underground, drank sochu. Slept.

Tuesday June 22nd. Woke up at 4:20, read for a while – it was already getting light outside; seems strange that the sun rises so early, but it is the evening after Midsummer’s Day and one of the shortest night of the year after all… Went back to sleep for a while, got up for real at 6:45, learned that North Korea had lost to Portugal 7-0. Gosh, what a shame. Hung out, read Underground, watched Boris “Variations” DVD, went to Book Off to look for used CDs, didn’t find anything, went to the video shop, rented “Slumdog Millionaire”, “Milk”, “The Departed”, “Gangs of New York”, and “Balls of Fury”. “Tropic Thunder” is rented out, and they don’t have “Shaun of the Dead”. Bummer. Watched “Balls of Fury”, then Zen came home. Zen did homework, we ate dinner, went out to throw the ball, but not for long – I threw a good ball right at Zen, but he didn’t catch it properly and he missed it, it hit his nose, he cried, some blood flowed, dripped onto his shirt, so went back, cleaned up, chilled out until 9:00, and Naoko and I watched “Milk”.

Zeitgeist section: The asa no drama is “Gegege no nyoubou, about the life of Mizuki Shigeru; the taiga drama on Sundays is about Sakamoto Ryoma. The big news item is sumo gambling, and prime minister Kan’s appearance at the G7 and G20 meetings in… Muskoka!

Wednesday June 23rd; woke up, hung out, watched one hour of “Gangs of New York”, Naoko and her parents went to buy stuff, I went to the internet cafe and Tower Records. Today Spitz released a single but I didn’t buy it, bought Heaven & Hell’s “The Devil You Know”, went back for lunch, read, napped, watched one more hour of “Gangs of New York”, Zen came back, I went to pick up my sunglasses and bought two more t-shirts at uniqlo, Nanaka came over and played catch with Zen after dinner. Went to Book Off to meet Yuki and Kazuo of Love Love, we went to the Yukata Matsuri. At the last minute, Zen was also invited along to the same festival with Masayuki’s family, so we were both in the same festival at the same time (although I never saw them, and they never saw me). Parked, walked aross the railway, wandered along the main street, came across the former guitarist of Droop (Yayoi-chan), bought smoked cheese, bought manjyu, saw a jamon display, went to a cafe where we drank Yebisu, chilled out, listened to Bubble oldies, then psychedelic tunes, then went home.

Thursday June 24th, walked around the neighbourhood testing out my new sunglasses, read Underground, finished it (finally!!), hung out all morning, lots of election news, watched “Gangs of NEw York for the second, third and fourth time, ate lunch, started to watch “The Departed”, Zen came home, went for a cycle, saw the old Jusco, went to throw softball with Zen, ate dinner, went to Mushroom to watch the Love Love rehearsal for their June 29th live show at Osaka Bears – that is the day that I fly off and can’t make the show, but being invited to attend the rehearsal at the Mushroom (my first live house in Japan) is an outstandingly intimate consolation prize, especially since I’ve never really been to a studio with a Japanese band before (I only know what it’s like for my own band). Chilled out with them, introduced them to Black Sabbath, Om, and other good stuff, they showed me Droop videos. Came back, finished watching “The Departed”. Baa-chan will wake up at 3:0 AM to watch Japan play Denmark. Go, Japan!!

Friday, June 25th. Woke up, found out that Japan beat Denmark 3-1, yay Japan! Ate breakfast from 7:07 to 7:37, then went back upstairs and slept another two hours, got up at 9:30, went to the internet cafe, then tried to buy cheap Osaka train tickets, but the shop we used to use was closed (no surprise – it was always pretty run down). Showered, ate lunch, headed off to Osaka. Did find another place to buy cheap tickets, saved 900 yen!! Read on the train, listened to music, drank Chu-hi, got to Osaka, walked around Umeda trying to figure out where I was, it wasn’t easy because the whole place is a construction site. Went out Shinsaibashi station, found Dogra Magra, went into Uniqlo, then along Shinsaibashi, then to Book Off, bought Spitz’s “Hachimitsu”, then to Tower in Namba, where they didn’t have Okuda Tamio or Nagisa Nite CDs. Went around America Mura – Miki Gakki, Time Bomb Records (bought Acid Eater and Shinebuilder CDs), King Kong Records. Got a deal on two cross necklaces, found Freak Scene, talked to Fusao (the fuzz guitarist from Acid Eater and the wife of lead singer Masonna/Yamazaki Maso), bought an Acid Eater t-shirt from her and got a signature for the CD. Went back to Time Bomb records, got a signature from the drummer of Acid Eater as well. Great. Then off to meet Mr Matt Kaufman at Dogra Magra, chilled out, listened to ZZ Top, Boston, and some other stuff, Josh came, another guy came hung out with Master Damone, then went upstairs to watch Dennis Hopper rant and rave about his production of The Last Movie, didn’t watch all of it, plucked on a guitar, comfortably numb, then went to the 200 yen bar, met Jamie and his mad buddies deep into Saturday morning, got to hear some Black Sabbath, David Bowie, then off to the Pink Elephant, where the master was being a rude bastard, then off to the place next to the Pink Elephant, where we chilled out, sang “the Hoochie Koochie Man”, finally falling asleep in another place. Long night! Woke up on the sofa, ate some Yoshinoya gyudon, then took the subway back to Umeda, the train back to Himeji. Read two words of an article in a magazine about Pink Floyd, then fell asleep. Got to Himeji, it was pouring rain. Walked back under an umbrella but still got soaked, slept until 4:30, got up, family came over, and from 5:30 we were eating and drinking at our “barbecue”, now changed to an indoor event because of the lousy weather. Went to sleep at 9:30 or so, slept until morning.

Sunday June 27th, we were supposed to meet Matt and his family at Shiwase no Mura in Kobe, but weren’t sure if the weather would hold out. The weather was so-so, but Matt phoned and called if off anyway for family reasons – too bad, maybe next year. Hung out, went for a bike ride around Himeji castle (two laps), then rented the new “Star Trek”. Watched it in the evening, had a few laughs about some of the scenes.

Monday June 28th, last day in Japan, we packed, I took Zen to the zoo, we saw lions and tigers and bears, watched an ostrich pee and poo, stinky aardvark. Zen rode on the circle chain thing then we went back, had lunch, and off to River City to buy Zen’s shoes, then home, packing, dinner. Had a last sleep, but not before I finished re-reading Eric McCormack’s First Blast of the Trumpet Against the Monstrous Regiment of Women, a book I re-read every year when I have nothing to do in Himeji it seems.

Tuesday June 29th we woke up at 4:50 so that we could be ready by 5:50 to leave for the bust terminal to catch the bus to the airport. Got on the bus, napped and read, got there early, used the toilets, creepy old lady hanging out nearb, got in early, Zen did his homework, but not well enough – Naoko was grouchy. Got in the plane, aisle 33, window seat was the only window seat without a window! Disappointed!!!! Zen played video games a lot, he was happy, although he hated his meal – not enough vegetables! I watched “V for Vendetta” and “The Ghost Writer”, both UK political thrillers. Zen watched part of “How To Tame Your Dragon.” Got to Singapore, took silent taxi home, got in and saw that I really had remembered to turn off the electric heater at the beginning of my journey and wouldn’t need to face an expensive electricity bill/fire/whatever else might have happened to someone who accidentally left a hot water heater on for two weeks. Tidied up, had pizza for dinner, got ready to re-enter the Singapore life.

Wednesday I woke up early, took Zen to school, came back, installed the bicycle basket while Naoko slept, had breakfast, hung out all day.

Here’s Daichi attacking the drums with Deep Purple’s “Burn”.  Since it’s an electronic set, he listens to the noise with headphones, which I quickly put to the camera mic to translate what’s going on.  But he’s quite good, and so sincere!

Here are some great pictures from my Japan trip, followed by media reviews from the trip.

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Zen and Haruka

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Rose of Himeji

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Running Zen

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Glancing Zen

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The head of the PTA

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the land of the rising sun at the rising sun

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Checking out the grapes

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The grapes.

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Love those grapes

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Ramen girl

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Ramen ramen

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Goin' to Ie-jima

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Ie-jima

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Smiley-crab

Beauty

Beauty

Zen's favourite book - Unchi!

Zen's favourite book - Unchi!

The best barbecue ever!

The best barbecue ever!

Beauty

Beauty

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The spooky "insect forest"

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Canoe morning

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Ships at sea

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Zen and the seven-legged octopus "go this way..."

Misty mountain hop

Misty mountain hop

Only one of the 100,000 jellyfish we saw...

Only one of the 100,000 jellyfish we saw...

Feel

Feel

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Here comes Ba-chan!

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Kazuo gets lucky!

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Kazuo + Kazuyuki + Yuki = Love Love

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Yuki chills...

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Kazuyuki and Kazuo

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Kazuyuki, Kazuo and Yuki at the Mushroom!

With Acid Eater fuzz guitarist Fusao

Peter and Acid Eater fuzz guitarist Fusao

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Peter and Acid Eater drummer Akiba

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Dinner at the Fujinos

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Intense Zen

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Still standing

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Himeji Castle under reconstruction

Himeji castle construction

Himeji castle construction

Daichi on Drums

Daichi on Drums

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Zen's least favourite airline meal

While in Japan, I read a few books and saw several movies.  I also bought “a few” CDs.

Book reviews:

MHU

Murakami Haruki - Underground

Underground, by Murakami Haruki – A book about the 1995 sarin gas incident in Tokyo, Japan, when five subway lines were simultaneously vandalised with liquid sarin, which evaporated, killing 12, seriously injuring 54, and affecting 980. It was a horrible incident, and the nadir in Japanese society of a misfit group of misanthropes who we now know had already committed several crimes. I remember thinking at the time “who would want to kill hardworking people on their way to work – aren’t they already suffering enough?” Now having read this book, which is a collection of interviews with some of the survivors, I can see the real tragedy of this, with one of the victims now a near-vegetable, who is described as a devoted and incredibly hard-working individual. Nowadays when she says simple near-words, her family sobs and cheers, even though these were all things that she had been able to do effortlessly – like all of us, before this happened to her. I still have no idea what these people thought that they could accomplish with their evil deeds. It just doesn’t make any sense.

The book is an English translation of a series of articles that Murakami published in Japanese magazines and newspapers, and then published in book form in different editions. The first part covers seven sections, each of which covers a separate incident, be it on a certain train line or at a certain station. The first five sections start off with a description of the perpetrators, mostly describing how they had come from prestigious universities and middle-class backgrounds; but only the first five sections have these descriptions, the last two do not, I’m not sure why. Each of the seven sections has case studies of the victims telling, in their own words, what happened that morning. The case studies vary from three pages long to ten pages long, mere snapshots of interviews that Murakami says sometimes stretched for three hours (I’d guess that a three hour interview would be about 80 pages long according to the size of the pages of this book, maybe more). After a while you get a sense of familiarity with the horror – the people describe the start of their day and its routines, why they are heading into town on a Monday before a national holiday when most people weren’t working, when they noticed something was wrong on the train, the reactions that they noticed in the people around them, how they realised that they were not all right, how they escaped the subway station, the behaviour of the subway and station staff, the organisation of the rescue efforts, how they received medical attention, their post-incident recovery, and their feelings towards the perpetrators. The book includes one interview with a foreigner, one interview with a subway staff member, one interview with the family of a woman who went into a coma and has barely recovered, as well as interviews with the widow and the parents of a man who died that day.

The interviews and the accounts of the victims of that day are very well done, and the five scenarios describing the actions of the perpretrators. Unfortunately, Murakami caps the first part with an essay of mumbo jumbo called “Blind nightmare: where are we Japanese going?” For example, one of his passages is like this:

I am a novelist, and as we all know a novelist is someone who works with ‘narratives’, who spins ’stories’ professionally. Which meant to me that the task at hand was like a gigantic sword dangling above my head. It’s something I’m going to have to deal with much more seriously from here on. I know I’m going to have to construct a ‘cosmic communication device of my own. I’ll probably have to piece together every last scrap of junk, every weakness, every deficiency inside me to do it. (There, I’ve gone and said it – but the real surprise is that it’s exactly what I’ve been trying to do as a writer all along!)

The second part is also very interesting, as it follows the same structure as the first case study section, but in this case he’s interviewing the Aum Shinrikyo survivors. None of them were among the members found guilty of any crimes, they were just people who were for one reason or another drawn into the cult. These case studies are also interesting, but here Murakami tries to draw the interviewees into philosophical discussions, often editorializing and sensationalising somewhat, often alluding to incidents in the Aum world that happened outside of the subway attacks, some of which are not properly contextualised. The stories are often rather pitiful and these people seem like victims of a sort as well, first of Aum itself, and then of the society that judges them for having once been members of the cult. Whether they were brainwashed into conducting criminal activities or whether they were people who legitimately felt that yoga could improve their sense of self-worth, they are likely to live out sad lives.

TGWKTHN

The Girl Who Kicked The Hornets

The Girl Who Kicked The Hornets’ Nest, by Stieg Larsson – This is the third book in the Millenium series by Stieg Larsson. I had a hard time finding it in Singapore at a good price, but I finally did the day before I went to Japan, so I happily bought a copy – yay. I read it on the flight and was very happy. The story picks up at the end of the cliffhanger second book. While the first book is about Lisbeth Salander slowly becoming a character to take on Mickael Blomkvist, and the second one is about drawing Lisbeth Salander out of hiding, the third one is about knowing just what will become of her life – she’s been shot in the head, but is saved and is in hospital. The story is now about unfurling the secrets of her past – with no help from her – and finding out which sort of extra-judiciary surveillance department has been working to keep her down. She, of course, has her own agenda and her own ideas about how justice is supposed to be meted out. The third book is better than the second book in some ways, and once again Mickael Blomkvist labours intensively (and senselessly, in the way that he has nearly no support from Salander herself) to right the wrongs acted upon Salander, this time enlisting not just the staff of the Millennium, but also several police units. Of course, quite a while before the actual end of the book, our heroes manage to figure out how to utterly annihilate their opposition, both in court and on the streets, and we’re all heading to a happy end. Somehow the book ties up too neatly, and the various superfluous passages require some explaining (presumably Larsson was writing about people he knew in real life), such as the one about the gay investment banker in Gibraltar, and the one about the theft of Erika Berger’s stash of very very very personal items. There is also something about how the chairman of the biggest newspaper in Sweden has invested in a company in Vietnam that uses child labour (is this mirroring something Larsson knew about but couldn’t prove?). The civilness of the good Swedes (Blomkvist and his process-driven bunch) is refreshing to follow, and these people seem fair, good and just. But ultimately it is good fun seeing the Cold War baggage that their dinosaur enemies are destroyed by their own arrogance and presumptuousness, never suspecting that their era of lawless activity was nearing an end. How they do it is somewhat clever; a masterpiece of detective fiction this ain’t, but it also never pretends to be that at all. I was especially happy with the last three pages of the book which I think were very well-done. Good job, Larsson, rest in piece.

DOAWK

Diary of a Wimpy Kid

Diary of a Wimpy Kid, by Greg Kinney – Like all of the Wimpy Kid movies, this one is very funny, with interesting comic book artwork. the story follows the life of middle-schooler Greg Heffley through his diary and his simple illustrations. Funny tales of school and classmates (including some very strange ones, bullies, girls, etc). There’s the Cheese Touch, which is like the cooties but it’s acquired when someone touches a piece of cheese that has become part of the schoolyard pavement. Tricks that Greg’s older brother Rodrick plays on him. Funny tales of Rowley (great knock knock jokes), playing video games, and of course the introduction of classic “weird kid” Fregley (”Wanna see my ’secret freckle’?”) who howls “juice! juice!” when he needs to pee. Greg also has a sleepover with Fregley, who’s also his wrestling partner. We need more Fregley. There’s Rodrick’s band Loded Diper, Greg running for class treasurer, Hallowe’en tales, wrestling class, weightlifting, the class play, Safety Patrol, and Greg’s comic competition. Some of the “bad” comics that Greg was competing with were actually pretty good (check out Rowley’s “Zoo-wee Mama”. The book’s not all fun – there’s also a grim tale of giant snowmen that is a bit tough. But at least it ends well, when we find out what happens to the cheese.

FBOTTATMROW

First Blast of the Trumpet Against The Monstrous Regiment of Women

First Blast of the Trumpet against the Monstrous Regiment of Women, by Eric McCormack – I love all of the books that Eric McCormack has written, including this one. Here Eric re-imagines a young Scottish man leaving the Scottish mining towns after family tragedies have made him an orphan, going off to cross the world like Gorden Pym before ending up back in “Camberloo” (a cross of Cambridge and Waterloo, the town in Canada where Eric teaches English Literature) where he enjoys a strange addicted lifestyle of increasing girth and incessant loneliness, never really losing the demons of the past – until they, finally, lose him.

This book follows the usual McCormack tropes of voyage, loneliness, addiction, seafaring, strangers that drift in and out of the story, odd habits (painting prostitutes to look like snake-women), and uncertainties to paint a strongly alluring picture of a habitual paradise.

Check out the recently-created Eric McCormack Wikipedia page.

TJB

The Jungle Book

The Jungle Book, by Rudyard Kipling – I have never seen The Jungle Book movie, I just wanted to understand a bit of what might have captured the imagination of people 100 years ago (and how they might have written stories). The Jungle Book is not a happy story about people bopping around in the jungle, it is about life and death and honour and character and discipline in a pitiless world. Because it is written in a dense style by Rudyard Kipling almost 120 years ago, it is not easy to follow, but it does tell in eight chapters and eight poems interesting tales of the deep jungle. First of all it tells the tale of Mowgli, how he’s rescued from Shere Khan the tiger by Mother Wolf, and championed by Akela, and then it goes into his education, his abduction by the lawless monkey tribes, his confrontation with the Jungle council, his re-emergence into human society, and his final revenge on Shere Khan. The story continues on The Jungle Book 2, but we also have non-Mowgli stories: the amazing tale of Riki-Tiki-Tavi (which I saw once on TV as a non-Mowgli Jungle Book animation), as well as a really wonderful story of a white seal trying to save his seal-mates from perpetual exploitation and hunting from the nearby Russian communities.

Some of the stories are not so great – I didn’t really understand the point of “Toomai of the Elephants” or “Her Majesty’s Servants”, but on the whole it was a great, if somewhat incomprehensible, book.

CD reviews:

BFOW

Acid Eater, Black Fuzz on Wheels

Acid Eater, “Black Fuzz on Wheels” – This is a really great release, better than debut piece “Virulent Fuzz Punk A.C.I.D.”. The release opens up with the killer “Yes, Motion”, with a sinister chord progression, then cheezy organ, and Masonna’s grotesque vocals and electronics, and the album continues in the same vein. Six of the ten songs are originals, and of these “Well” is the standout track, with its funky groovy strangeness. The band also covers Crime’s “Feel The Beat”, the Miracle Workers’ “Love Has No Time” (great version), a pastiche of German movie dialogue from “Schulmadchen Report”, probably a kitsch favourite of Masonna and his guitarist wife Fusao, as well as a Tidal Wave cover “Searching For Love.”

BV

Boris, Variations

Boris, “Variations” (CD/DVD) – A CD compiling the best Boris songs from six of their regular releases (as well as a b-side from one of their singles, i.e. “Floor Shaker” from “Statement”) along with a DVD of their live shows called “Live in Japan”, meaning the Smile tour, as recorded on December 14, 2008 (see also the Live at Wolf Creek CD) as well as three songs from the December 22, 2009 show. If you have the entire Boris discography like me, this may not be crucial in the sense of the CD, although some of the songs have been re-recorded and sound a bit tougher. But the DVD is very much worth having, simply because there are fewer Boris video captures available out there than there are audio captures. The first part shows the whole Smile concert, exactly the same set list that they recorded at Wolf Creek, with Wata playing a black Les Paul, and Takeshi on his headless double bass/guitar set. The band starts off with an intense version of “花 太陽 雨 – Flower Sun Rain” (the PYG cover) that is all drowned out in amazing bright lights and echoes, a long, generous version of the Japanese classic. After three minutes, we get the first guitar solo, all screams and blind fantasy, and then the killer solo at 6:20, when Wata really cuts loose, infront of her Orange speakers, and gets that absolute lead out. Beautiful, she drenches the final minutes of the track in full, long guitar solo feedback virtuosity – the track is slightly shorter than the US CD release version, but it’s even more intense (hard to believe). Stunning! Check out the beautiful (and misleading) interval between “Laser Beam” and “Pink”. The concert goes on and on, all lights and fog and soft loud guitar parts, with Takeshi standing tall and cool throughout playing his headless double-neck bass/guitar, Wata cool and poised in a red dress with knee-high boots, and Atsuo wearing an open white silk shirt and black pants and just going crazy throughout. Second guitarist Kurihara Michio appears to be a bit of an odd man out, standing off to the side of the stage and wailing away on his Gibson SG, often using an E-bow to do so.

The editing of the video seems to jump around quite a bit from various shots and styles, showing the band in a type of granular setting that looks a bit unprofessional, as well as various types of close shots. Initially, the editing is a bit jumpy, changing quickly from one to the other member of the band, as if they were all boy band members. The mood eventually becomes more rock ‘n’ roll, as the band works on freaking out to the treat songs that Takeshi sings. Rock on! Rock on!! Rock on!!!

With “bonus tracks” the band show three songs “Tokyo Wonderland”, “a bao a qu” and “Farewell” without the high production flourishes of the first (although this is sometimes missed – we see several shots of Wata that look a bit spliced-in, i.e. taken out of sequence). Here Takeshi seems to be playing a new double-head guitar, probably a Rickenbacker of some sort, with proper heads. Kurihara Michio is so hard to spot you’d think he wasn’t there, but you do see him from time to time – barely.

Check out the recently-created Boris “Variations” page.

S

Shrinebuilder

Shrinebuilder, “Shrinebuilder” – This is the definition of epic. Shrinebuilder is a doom/stoner supergroup, consisting of Scott “Wino” Weinrich (guitarist/living legend from Saint Vitus, Obssessed, etc), Al Cisneros (legendary bassist from Sleep, and now Om), Scott Kelly (vocalist and guitarist of Neurosis), and Dale Crover, the drummer from the Melvins and tons of other projects (he also drummed with Nirvana on their original demo). Stellar.

Opening tune “Solar Benediction” doesn’t start off well, with some weedy Wino vocals, but then gets high and mighty with tough guy verses, then it becomes a bit like a Pelican or Isis song with tons of cool chillout guitar parts that build up into some really great guitar sounds . It sounds a bit Soundgarden at times, but the layers of sludge finally get pretty thick and heavy. “Pyramid of the Moon” is a bit Alice in Chains at first, but the tough guy verses kick in and then it builds and builds with the shimmering wah and the oriental motifs into a slamming, penetrating druidic OM-like zone-out. “Blind For All To See” starts out with a groovy Om-like wandering bass buildup, then gets into the killer guitar riffs. Well, it goes into one groovy solo, then back to the chorus, before busting out into another groovy solo. Guitar noises and feedback EVERYWHERE!! “The Architect” – at 5:57 the shortest song on the release – is punchy and gets to the point quickly and is quite like a Saint Vitus song. It’s a pretty conventional rock song, but it does have a pretty trippy guitar solo. This song also ends off with a minute of Al Cisneros’ weird snaky bass sounds. It’s followed by “Science of Anger”, the CD’s longest track at 9:25, which starts off a lot like “The Architect” as a Saint Vitus song, but then becomes tantric and grooves on cool stoner moods,

Check out Scott Kelly’s blog about recording Shrinebuilder.

H&H

Heaven &Hell

Heaven & Hell, “The Devil You Know” – First song has a great title – “Atom and Evil.” Is it about how nuclear weapons are bad? Can’t be sure, said the spider to the fly. It’s great to hear the band making original music again (Heaven & Hell, by the way, is Black Sabbath as they were with Ronnie James Dio on albums such as “Heaven and Hell”, “The Mob Rules” and “Dehumanizer”, except they’re not allowed to be called like that due to a truce with Ozzy Osbourne over who is allowed to use the name “Black Sabbath”), and you have to wonder if this is what people felt when they got a new Black Sabbath album in the old day (I’m old enough to remember when “Mob Rules” was a new album, with hot new singles, fresh on the radio). Too bad, though, that the release has an album almost as ugly as “Born Again” (also by Black Sabbath, but with Ian Gillan singing).

“Fear” is a raunchy rocker that soars nicely, while “Bible Black” starts off softly, with great Dio vocals grabbing the spotlight, turning quickly into a great rocker (this was also the album’s hit single). The song is long, the solo withering. Amazing to think that he had been in show business for fifty years at that point, but had just more than a year left to live (the album was released April 28, 2009, and Dio died on May 16, 2010, aged 67 years old.

“Double The Pain” is a somewhat corny ole track, while “Rock ‘n’ Roll Angel” is a bit more anthemic. “Turn of the Screw” is noble and gigantic, while also seeming quite poppy. “Eating the Cannibals” is probably the best thing on the album, the band gets real tight and has a lot of fun with great, tight riffs and huge noise. “Follow the Tears” is one of those spooky songs, and is more Ozzy than Black Sabbath, but “Neverwhere” is more Dio-era Black Sabbath, with a real bite of venom, with one of those old Tony Iommi solos (to the extent that you wonder if he bothered to put one on any of the other songs, or if he had a stand-in). Excellent! “Breaking into Heaven” the last song on the last full-length feature album Ronnie James Dio released in his life (until I’m proven wrong) is “”Breaking into Heaven.” Besides being somewhat prophetic, the song is good fun and very slow (finally) and plodding through several riffs and other deas. Great; while it’s not a great closer to a great album, it is nice to hear that the music is still there, and to have a Dio soundtrack for the next ten years. Thank you RJD!

SH

Spitz, Hachimitsu

Spitz, “Hachimitsu” – Spitz’s sixth release is probably one of their best. Title track opener “ハチミツ” is a gorgeous folk rocker with funny lyrics “great lover, honey / strange lover, honey”. “涙がキラリ☆” is a little on the dull side, but it is a well-written song, ditto for “歩き出せ、クローバー”. “ルナルナ” is jaunty and moves along at a good clip, with nice, jazzy guitar work. “愛のことば” and “トンガリ’95″ are nice-enough songs, even if they are a bit uninteresting. “あじさい通り” is a fun pop song that uses strange keyboard sounds, new wave guitar chords and fluid bass, with a great chorus. “ロビンソン” is by far the band’s most famous song, and after all these years it’s still one of their best, with a very interesting riff, pleasant production values, and a soaring chorus, an anthem that can get an entire room of Japanese off their feet. “Y” is a very very beautiful ballad, that’s all I can say about it. “グラスホッパー” is a pretty regular rocker with a cheezy chorus, while “君と暮らせたら” is a so-so pop song.

Movie reviews:

M

Milk

Milk – Great movie with Sean Penn and a bunch of other well-known actors acting as gay ’70s men. Judd Hirsch is in it too, getting away from his Speed Racer thing and a bit closer to his Dogtown thing. Josh Brolin is fantastic as Harvey Milk’s assassin Dan White. It was pretty trippy finding out about the weird world of Anita Bryant and her goofy anti-gay campaigners, but this is what the hate of the 60s and 70s was all about. Great zeitgeist.

GONY

Gangs of New York

Gangs of New York – I watched this film in about five sitting because I kept getting interrupted. It is about Leonardo Dicaprio as the son of Liam Neeson, who confronts Daniel Day Lewis and his gang in a turf war but is slain before his five-year-old eyes. All very Shakespearean, with revenge as the prime motivator throughout. Besides Bill “the Butcher” Cutting and his gang, there are the many other gangs, the criminals, the thieves and stealers, as well as the remnants of the Irish gang Dead Rabbits, with ghouls like Hellcat Maggie and all the rest of the filth and scum that make their living in the wickedest den of scum and villainy. People living sad, fearful lives where even the sex is frightening and traumatic. There are parallels and betrayals and regret and valour, but mostly there is a fearful loss of life, with no honour. What a crazy world. Is it still like this? The most interesting point is when the film ends with the fearsome New York Draft Riots of that year, showing a time when anti-draft sentiment was whipped up and the mobs marched on the house of the mayor, destroying everything, when they looted and raped and lynched, and when they fought against the cannons that the military had to fire on more than just the four dead in Ohio.

TD

The Departed

The Departed – Another DiCaprio movie directed by Scorsese. This guy has worked with everyone!!! Here he is, working with Mark Wahlberg and Jack Nicholson and Matt Damon to remake the amazing Hong Kong crime drama “Infernal Affairs”, where the mob has a mole in the police and the police has a mole in the mob, played by Dicaprio and Damon. But which is which? Great action and guts, but somehow Dicaprio is sleepwalking through this one, with Damon more convincing as a seedy, sleazy recruit gone bad. The violence builds up and gets labyrinthine, as the two characters close in on each other. Great action, great guesswork, but somehow Dicaprio and Nicholson feel miscast.

BOF

Balls of Fury

Balls of Fury – The trailer was funny, Christopher Walken was in it, why not watch? There’s something funny about a fat ping pong player with outrageous sideburns, which is what Dan Fogler is. There’s something funny about equating ping pong with kung fu, and there’s also something funny about James Hong. Indeed, he’s probably the reason I wanted to watch this film, and I like what he does with those chopsticks he always carries around. He acted circles around Dan Fogler and Maggie Q. But… he’s 81 years old, what can you do? The film is about a young prodigee who loses his father when he loses his first match, then he goes into a long slump and turns up in a Las Vegas ping pong show. He is enlisted by the FBI who want to use him as bait to lure him into a confrontation with Feng, played by Christopher Walken, and bring down his evil empire. Shades of Game of Death. Feng’s island has something for every desire, including sex slaves; unfortunately, they are male sex slaves… ha ha, there’s a couple of jokes there. The film carries on to its ridiculous conclusion. It’s good fun, but not great fun.

SM

Slumdog Millionaire

Slumdog Millionaire – Somewhat convoluted film that is told in and out of time order roughly at five levels, some levels separated by years, others separated by days, others by hours. The story is about two brothers Jamal and Salim, and their friend Latika, who are played by three teams of actors, roughly aged five, 12 and 21. The film starts when Jamal is thrown into police interrogation, suspected of cheating on a 20,000,000 rupee quiz show. No one can understand how a street kid could get so many questions right, but somehow he does. Through flashback, we understand how he does it. And the police, never having encountered someone so truthful, cannot keep him in the cell any longer. And so he goes back to the TV studios to play the final round.

Of course, the question of luck is a bit like the story of Chance the Gardener in “Being There” – he never did anything other than be himself, and was immensely successful at it – but the story of young people who fought their way out of poverty and bad luck to finally make something of their lives, and to win the support of the population in so doing, is simply a tale that is hard to beat. Some moments of unbelievability – where did these kids learn English, anyway? But it’s a great film.

ST

Star Trek

Star Trek – By now in the Star Trek world everything’s been re-imagined and time-warped and saved and destroyed just so many times that anything can happen. It’s interesting how the new director manages to keep on having the brash Kirk pretty much unable to outshine the creepy Spock, but who would have ever thought that Vulcans could be sexy!!! Eric Bana as a Romulan general bent on revenge has a good blend of corn, and we enjoy the entrance of each familiar player as they come (although maybe Uhuru is just a bit too sassy?). I like the idea of “red matter”, and the mindless violence was really good fun. Zen and I laughed our heads off at Montgomery Scott’s alien sidekick, especially in his last appearance at the end of the movie (”You – get down from there!!!).

TGW

The Ghost Writer

The Ghost Writer – Yet another Polanski movie about a hapless do-gooder who wants to do right, but ultimately cannot. Dig the ironic ending!

VfV

V for Vendetta

V for Vendetta – Great dystopian thriller about V and Evey on a one-year revenge- and death-trip. V chilling and cool in his Guy Fawkes mask, his heavy throwing knives, his superhuman fighting ability, his ability to pit his enemies against each other, and his conniving to throw the whole rotten country into anarchy and revolution. What an appropriate message for the mass media! Natalie Portman is not very charismatic in the film, despite getting top billing, with Hugo Weaving enchanting merely throughout the power of his voice and his body language (he’s masked throughout). Great movie, really splendid. I have read the graphic novel, and now want to read it again.

Fun fun fun

Saturday, May 1st, 2010

Tuesday, Wednesday, Thursday, what did I do all these days?  Thursday, I do remember that I came home early, not feeling too well, after I spent the morning at work and the early afternoon at out-of-the-office meetings.  I slept for two hours, then did a bunch of work. Friday was a full day at work, with many meetings, and then staying late doing admin stuff. Frustration over my emails, which don’t blast out and faxes that don’t transmit. Amazing how something that normally takes five seconds to do will all of a sudden take 25 minutes. My colleague Arush and I headed out for some food, then down to Clarke Quay’s Home live house to hear some live music. We just caught the last one minute of one of the bands, then there was an interval, and Kegs came on. Declan is a blonde-headed chap who plays a groovy Manic Street Preachers-inspired set with great guitar intros and fun vibes. He’s got great chops and good stage presence, while the bass player and the drummer are very good too. Too bad that the stage setup means that you can’t see the drummer at all with the bassist standing right in front of him. The original songs were good, so were the new songs that they debuted/played for the second time live, and there were a few covers: a Manic Street Preachers song “Ocean Spray” from the 2001 “Know Your Enemy” CD, and “For Your Eyes Only”, the Sheena Easton song from the Bond film of the same name. Home is a pretty cheap place to drink beer, as a pitcher is only $22, so we had two of them. Spacedays were up next, starting off with their cool title track “We’re Spacedays”, before slipping into their other songs. Mamat did most of the vocals, and chugged away on his cool silver guitar that looks very Spacedays. While he seemed a bit stiff onstage, not really his goofy self from the old Pinholes performances I’ve seen, he did play some great, fluid solos, and even broke out the wah from time to time.  Great stuff. They had a short set, probably because they’re a new band and don’t have that many songs together yet (they told me later that they’ve got nine songs), but they also mentioned that they were totally starved and needed to get some food, ha ha. We bought the debut EP, released only the day before, and took a photo onstage, then hung out with the bands and the audience afterwards, then headed off to the subway to get home.

Spacedays live video!!

Kegs live video!!

Original song “Fan the Flames”

Manic Street Preachers’ “Ocean Spray”

Spacedays and we!!

Spacedays and we

Spacedays and we

There it is, my new GT-500, being turned on by my big hairy toe.

My Fulltone GT-500, my hairy toe.

My Fulltone GT-500, my hairy toe.

Burger King really knows how to make posters depicting people who really love their burgers.

Woman's just gotta have it... er, on second thought, maybe not.

Woman's just gotta have it... er, on second thought, maybe not.

The stupidest copy I’ve ever read before – is this some sort of a satanic message?  What world do these people live in?

Burger King will give you your every earthly desire.

Burger King will give you your every earthly desire.

CD, DVD, Movie and Book reviews:

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Spacedays EP: “We Are Spacedays” – this is a band from my friend Mamat Mat, great guy, who used to be in a cool Singapore band called The Pinholes, a very cool band with a charismatic lead singer that Mamat used to play guitar while gracing us with his crazy and cool antics. Listening to these three guitar pop songs, it’s easy to hear a lot of Manic Street Preachers, some Big Star, and a little bit of Bowie, especially in the title track.  The band is a bit restrained and not really going crazy, but the songs are good fun. “All The Days” is a bit unenthusiastic, with languid vocals and a standard song structure, but a nice enough chorus. “Get Higher” is a boozy, poppy booster with droning vocals and a cool funky guitar riff. “We Are Spacedays” is just sweet wackiness, with Alladin Sane vocals and cool crunchy riffs.

Iron Man 2

Iron Man 2

Iron Man 2 – Zen and I were greatly looking forward to seeing this, since we had both enjoyed the first Iron Man so much. As is to be expected, this movie is not as good as the first, but for strange reasons: first of all, every single part of the plot is shown in the trailers, with the exception of the Nick Fury scenes, which are short anyway. There’s some choppy editing, a few crappy lines (in an otherwise good screenplay), and a totally non-interesting corporate villain played by Sam Rockwell, an otherwise fine actor who had played the geek/creep villain perfectly in Charlie’s Angels (in this movie, he was much more geek than creep). Jim Rhodes was not so fantastic – now why, exactly, did he turn the armour over to the military? Tony’s feud with Pepper Potts seems pointless, and the scientific discovery element of the movie was pretty corny. There was also not much Iron Man suit action in the film, and no real sense of a buildup. Mickey Rourke played creepy quite well, but his motivation with bringing down Iron Man is not clearly understood.

All of this would make it sound like I didn’t like the movie. It was still a lot of fun, and Jon Favreau was pretty good as Happy Hogan, and we see him do a bit of boxing and rough and tumble stuff with Scarlett Johanssen. The Pepper Potts thing is still a bit irritating – this isn’t the kind of thing that Gwyneth Paltrow should be so annoying in – but in the end its all in good fun. Perhaps the best part of the film were the scenes that Samuel Jackson is in, he gets the best lines and he’s way cooler than Robert Downey Jr. The other highlight of the film is the scene after all the closing credits, which is both funny (when seen in context of an earlier scene), and inspiring. Stick around for the close, and get a glimpse of that last split second.

I do find the many favourable reviews for this film puzzling. This New York Times review seems to bend over backwards to find good things to say about it. I find the reader comments after the review much more honest.

Where The Wild Things Are

Where The Wild Things Are

Where the Wild Things Are – In one way, adapting Where The Wild Things Are, the classic children’s book, should have been easy – adults everywhere have vivid images of the amazing Wild Things, and designing clever suits in Hollywood could instantly bring them to life. But then again, there isn’t much story to work with considering that this is only a 37-page book, of which 21 pages contain text (in some cases only phrases, not full sentences, the shortest of which being “… and grew…”). Of course, there is an opportunity to explain a bit of back story – some reasons as to why, on that day, Max put on his wolf suit and got up to mischief of one kind and another.

Greater mysteries arise when Max arrives on the island of the Wild Things and the movie swerves unmistakably into Dave Eggers territory, the author of the vain and preposterously-titled A Heartbreaking Work of Staggering Genius, who creates reindeer games for the film’s vain and preposterous wild things to play. Sure, it’s fun hearing the voice of Tony Soprano coming out of head Wild Thing Carol, but the kids won’t get that, and I don’t even think they’d enjoy this film since there’s so little real fun in it. Halfway through the movie, you get the sinking feeling that it’s going to be a dull flick, and the visual style, aptly described by Stephanie Zacharek of Salon.com as “depressive and shaggy and tired” means there’s little to do after the film ends but turn the TV off and silently go of to sleep.

Anvil: The Story of Anvil

Anvil: The Story of Anvil

Anvil! The Story of Anvil DVD – For those who love Anvil for those that love the Anvil movie, there’s nothing like owning a copy signed by Lips and Robb.  I’ve reviewed this already, but the DVD does offer a few interesting tidbits, the most “interesting” (not sure that’s the right word) is the full interview with Lars, where we see what director Sacha Gervasi had to go through to get a soundbite out of rock’s most eager interviewee (this guy can talk and talk and talk).

Other extras are three deleted scenes (”Children’s Catering”, “Former Band Members”, “Lips’ Brother”) and a scene of Sacha drumming with the band’s performance of “School Love” in Japan. Of the deleted scenes, “Former Band Members” should have been in the film, as it interviews two of the five ex-Anvil guitarists and bassists. INterviewed is Dave “Squirrelly” Allison, a formerly skinny metalhead who’s turned into a middle-aged Canadian hoser with a mullet, baseball cap and mustache driving a pickup and chilling out at his cottage up north. More interesting is former bass player Ian “Dix” Dickson, who was a handsome Steve Harris-type young metaller who has turned into a successful artisan/goth/lutist with a home arts and crafts studio. Drinks his coffee from a cool skull mug.

The “Children’s Catering” scene is extended out of scenes that are in the movie, the most part of it shows Lips driving to work, talking about his life and the jobs he’s had (delivering flowers, delivering fish), his aborted studies in cinematography, the end of a fifteen year relationship chronicled on the “Worth the Weight” album, a.k.a. the death album (death of Robb’s father, death of Lips’ marriage, flower deliveries to funeral homes where he saw his first dead bodies, etc.). That is also the theme of the segment Lips’ brother Jeffrey, who has been diagnosed with a neural degenerative disease and only has a short time left. The clip shows Lips with siblings Jeffrey, Gary and Rhonda in Birmingham, Alabama, it is a very sad, private moment.

How To Train Your Dragon

How To Train Your Dragon

How To Train Your Dragon – A good fun movie for the kids that describes the sassy young Hiccup, and how he cracks the secret of the dragons that regularly attack his Viking village.  Yes, they’re Vikings, but they speak with Scottish accents… except for Hiccup, who has an American accent.  And why not?  The Vikings admired the Scots and the Americans, didn’t they?

The most interesting part of the story is what Hiccup does when the warriors are away chasing dragons. He goes into dragonfighting training, where brute power is more important than anything else. Hiccup doesn’t have much of that, but he’s smart and eventually figures out what makes dragons tick. One of the more interesting elements is how he manages to turn all of the tough kids in school, the ones who were once scornful of his wimpiness, into his biggest fans once they see that he’s figured out how to turn ferocious dragons into pussycats. He also manages to down train one of them, proving that all dragons just want to be tamed.

The less interesting part of the movie is at the end, when the obligatory “big bang ending” is sort of tacked onto the end. But by then we’ve already fallen in love with the movie and its vaguely Ghibli studio-esque characters (see Nausicaa for some reference).

Post-Crisis Risk Management, by Tsuyoshi Oyama, Oyama Tsuyoshi

Post-Crisis Risk Management, by Tsuyoshi Oyama, Oyama Tsuyoshi

Post-Crisis Risk Management, by Oyama Tsuyoshi – Mr Oyama is a great friend of mine, having met him through my company, The Asian Banker, at various company events. He was looking for a publisher some time ago for a book that he had written in Japanese on the recent financial crisis, and had told a colleague of mine that he was thinking of translating it himself for an English audience. I told him about the great people at John Wiley & Sons who had published my book, Asia’s Banking CEOs, and in no time there was a new book in the shelves – Post-Crisis Risk Management – to give an Asian perspective to the recent financial crisis. Mr Oyama is an amazing person, having worked for 20 years at the Bank of Japan as the deputy director-general in Financial System and Bank Examinations, he’s also worked with the Japanese banks’ nonperforming loans problem, Basel II risk management standards implementation for Japanese banks, and has worked in global bodies such as the Basel Committee on Bank supervision, the International Monetary Fund and the Global Association of Risk Professionals. What’s remarkable about Mr Oyama is not just his great expertise in risk management, but his exceptional ability to communicate it in English. In fact, I’d say that he speaks more eloquently than nearly any native English speaker that I know. This eloquence shines through in his book, which is imminently readable, which sentence-by-sentence contains universes of boiled-down wisdom. The book is relatively slim, covering a great deal of territory over its 188 pages, which are followed by six pages of references to works cited, and a four-page index.

Just reading Oyama’s table of contents is a clear run-down through the key issues in the current financial crisis, from its seeds (the pre-crisis summer of 2007, 2007, and the full-fledged crisis in mid-late 2008), an overview of its elements, reactions by governments and regulators, issues that set this crisis apart from others, reform of the risk management regime for banks, the Japanese and Asian perspective to the financial crisis, and a new conclusion that highlights significant post-crisis risk management issues. Early in the book he inspects lessons learned from the crisis that his country’s banks had gone through over a decade earlier, noting that high real estate prices had been the cause of both crises; but while attempts were made to solve the earlier bubble by introducing securitised products, the outcome was the same, if not amplified. “It is indeed an irony to note that lessons the system learned from the previous crisis have now caused another.” Lessons learned are a priority, and a raison d’etre for the book, since fixing the problems now would lessen the impact of the next crisis. One of these lessons is solving the problem of information asymmetry, w hich, as we’ve learned from the case of Goldman Sachs creating investment products for John Paulson, is at the heart of how Wall Street works. Information sharing is counter to capitalist principles, no matter what people might pretend otherwise. But in the lead-up to the crisis with it many years of steady property-linked growth, the information asymmetry became less of a concern as there rose an overconfidence in the various risk management techniques used to counter this information asymmetry, and Oyama feels that the basics of risk management were forgotten easily. Model risk was often ignored, and there was an over-reliance on calculating value at risk, without thinking any further.

But Oyama also notes the difficulty of management of top banks to understand the scope of their businesses, and when UBS gave a unit called Dillon Read Capital Management, which specialised in alternative investments, a great deal of authority within the organisation, it seems that the existence of such an important and complex business that clearly operated outside of upper management understanding of the kind of risk such an institution could take actually pushed the limits of what a company can manage under one roof, as the business nearly sunk the company. A similar case can be made for AIA, which profitably underwrote credit default swaps until the size of the business it was doing collapsed over it. The situation made a mockery of institutions that employed PhDs and were supposedly good at risk management, even earning high qualifications under Basel II only months before their companies were shamed by risk management deficiencies brought on by the financial crisis.

Again and again Oyama comes back to information sharing, which includes the information sharing of bank solvency issues between central banks and regulatory agencies, the lack of which was evidenced in the Northern Rock problem in the UK when the Bank of England and the FSA suffered from communication breakdown. It raises the question of whether a bank and its regulator should be kept under one roof, whether they should work in tandem, or whether they may be separated. Data and information does seem to be at the core of everything in this book, and Oyama makes an interesting point about identifying visible risks and “invisible risks” that cannot be statistically measured (also known as “Knight’s uncertainty”). While top US and EU banks may be good at managing visible risks through analysis, Japanese and Asian banks have a conservative culture and have stayed away from activities that could contain invisible risks, or whose potential upside they could not understand or believe.

But Oyama also asks important questions about the role of the regulators themselves – instead of asking banks to build up buffers, what kinds of buffers are they themselves building up to prepare for the crises that they know will come? This is perhaps playing the devil’s advocate, which Oyama does well, as regulators should not be bank managers, and vice versa. He also advocates better market infrastructures that increase information quality and expand risk tradability, starting from the establish a framework to motivate third parties, such as ratings agencies, to increase the quality of their risk assessments, clarify the definition of fair value accounting, while also increasing the disclosure of risk information. There would also need to be a greater sharing of information between major global regulators, such as those of Japan and western countries, a problem compounded by both language issues and budget constraints. Oyama can well testify to this, being one of the few Bank of Japan staff who is comfortable speaking English, and also one who travelled constantly to promote the cause of greater information sharing and better bank risk management.

Complaints about the book are generally few. I feel the index could have been a bit beefier, and the book does feel a bit dated – sure, any book on a crisis cannot be fully current, but the fact that this is a translation of an earlier piece extends the dating one generation. Even as I read his words, I often wonder what he would have added about things that had happened after January 2008, which seems to have been the cutoff point of his original work; January 2008 seems like a million years ago, and a lot has happened since. But no matter – there’s always room for a Post-Post-Crisis Risk Management.

No One Would Listen, by Harry Markopolos

No One Would Listen, by Harry Markopolos

No One Would Listen, by Harry Markopolos -

While the title of the book makes you think “teen angst” and the book’s choice of cover image that makes you think “Jack the Ripper”, you’d be surprised to learn that this is a book about the Securities Exchange Commission (yes, that’s right – the not-so-dreaded SEC). The book follows the mildly eccentric tale of the mildly eccentric Harry Markopolos, briefly and intermittently describing his journey through life, but getting quickly into the meat of how he set his sights on Bernie Madoff, first to try to replicate his gains and then, when the case flummoxed him, to prove that he was a fraud, and finally to prove that he was running a Ponzi scheme. Thinking that he needed help from some bigger guns, ie figures of authority with the power to do something to right the situation, Markopolos eventually went to the SEC to see if they could be interested in bringing a fraud to justice, but encountered resistance every time. And so, somewhere around the mid-way mark, Markopolos’ book becomes less a book about the evils of Bernie Madoff, and becomes a book about the evils of the SEC.

The book is interesting, funny, upbeat, and at times emotional, as Markoplos talks about friends and colleagues who didn’t make it – struck down by cancer, or who took their lives with their own hands – and those that nearly didn’t make it, like the colleague who had a disastrous yachting expedition with an inexperienced Russian first mate. He talks very little about the investors in the fraud, but explains carefully how he analysed the fund and could come to no other conclusion than it was a fraud. Then he explains it again. Then he explains how someone else had a theory that backed up his. Then he explains again how he checked his numbers. And then he tells about how he found supporting evidence. And then some more supporting evidence. Eventually you see see that it’s elementary, Dear Watson.

The book does get a bit weird at times, like when he explains how he feared for his life (is he imagining things? or is he underplaying the threat of some desperate people? He also mentions how he’s a germophobe who wiped down his keyboard with rubbing alcohol the day he left his job at an investment fund. Well, that was just a bit too much information.

Markopolos peppers his book with jokes, including the very apt one about life in investment banking which talks about the hunters who encounter a bear: one of them starts to run, knowing that he doesn’t need to outrun the bear – he just needs to outrun his companion. But some of his jokes begin to get tired after a while, and one page after he tells the bear joke he’s already telling the one about the guy (in this case a SEC investigator) who can only count to 21 if he takes his pants off. Jokes at the SEC’s expense fly fast and furious, and after a while we get a torrent of them “they couldn’t even catch a cold in the winter”, “they couldn’t spot the ocean from the shore”, “they couldn’t find the haystack that surrounds the needle that’s in the haystack”, etc.

One of the stranger anecdotes happens in a meeting with an SEC examiner, who broke down sobbing when she realised that heeding Markopolos’ earliest reports to the SEC could have stopped Madoff when his fund was only at $3 billion.

Markopolos ends his book with an epilogue that goes through fifteen wicked steps needed in order to turn the SEC into an effective regulator, the eleventh of which is to encourage whistleblowers, which he calculates to be 13 times more effective than regular SEC examiners. Of course, there’s some self interest here, as Markopolos is now a committed full-time professional whistleblower himself.

Markopolos takes apart the dysfunctional regulatory system in the US, which includes five separate units, each with their own politics, priorities, databases and information silos, where underpaid staff are easily hoodwinked by well-paid individuals who have been trained in diversion tactics and are usually much smarter than them who work at institutions that have been branded as too big to fail. Markopolos illustrates this with the point that “if the SEC can’t coordinate two examinations within its own agency, there is little reason to believe that five separate agencies can successfully coordinate their examinations.”

By the end he is scathing in his criticism of the SEC, and by now the book is barely about Madoff at all. That was all just a ruse, the book has graduated to bring about a much bigger message, which is about bringing to justice the people who shelter the bad people and allow them to steal the money from innocent people like you and me. And now we do see the SEC trying to do something, by taking on one of the biggest names of them all – Goldman Sachs. Of course, it may be too little too late, but it does show a regulator finally beginning to take its job seriously, now that it has a president behind it. But how long will that atmosphere last?

Click here to see a video report on Harry Markopolos.

Books, CDs and DVDs

Thursday, March 25th, 2010

Wow, another pile of books and a CD to review.

CD review:

The Pinholes

The Pinholes

The Pinholes, “Acoustic Sessions” – Great Singapore funk ‘n’ roll, these four guys make some great songs. I’ve seen them live twice, and they were really great, wide-smiling fun. The second time, on the eve of their flight to Austin Texas for the South by Southwest music festival, I bought a hard-to-find CD release, “Acoustic Sessions.” The songs are sedate, which is not what I’m accustomed to. Basically, most of the songs sound like Bob Marley done at a non-reggae tempo, and there’s so much joy here. “Never Gonna Take My Life” is a beautiful singalong song with familiar-sounding lyrics and sounds, warm and loving and friendly. Well-known anthems like “Shake & Bake” and “Longlive Rock & Roll” are good fun, and songs like “Programme” have a wondrous classic rock ‘n’ roll vibe to them. I love the Pinholes, and I always will.

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Sade, “Soldier of Love” – Finally another release by the most beautiful woman in show business. I’ve been a fan from the beginning and have all of her albums. All of them are stunning, song after song. This one is no different, except for the fact that it comes a decade after the last one (her album releases have been timed as 1984, 1985, 1988, 1992, 2000, and now 2010). The approximate doubling of time between releases means that we might not get another one until 2030, when Sade (pronounced Shar-day) will be 71 years old, means that this one will need to tide us over for some time. The songs are beautiful, and very focussed on her voice and the plain, simple messages that she has, more often than not with simple production values. The opening song “The Moon and the Sky” is somewhat Spanish-sounding, and it’s quite heavily-produced (but not over-produced). Melancholy. “Soldier of Love,” the title track, is very theatrical, but also hypnotic. “Morning Bird” is boring, while “Babyfather” is a pretty song about parenthood that sounds like a duo with Bob Marley, and a child’s choir thrown in. “Long Hard Road” is a simple song with vocals, acoustic guitar and drums. Beautiful. “Be That Easy” is similar, but a bit more upbeat, while “Bring Me Home” is just as melancholy as “The Moon and the Sky”. “In Another Time” sounds like something from the “Stand By Me” soundtrack and is quite jazzy, with plenty of saxophone. “Skin” is a bit sedate, while album-closer “The Safest Place” is a good ole beat-pounder to make the recording memorable for more than Sade’s hypnotic voice, which commands any song she’s ever added her voice to.

Rudra Brahmavidya: Transcendental I

Rudra "Brahmavidya: Transcendental I"

Rudra, “Brahmavidya: Transcendental I” – This band makes what could be called Vedic metal, meaning that they play aggressive grindcore with themes from Hindu scripts and legends originally written in Sanscrit. They sing in English as well as in Indian tongues (I guess maybe Hindi, Sanskrit or possibly Tamil). The CD starts off with a great track of religious singing in Hindi, gorgeous female vocals, then gets into some serious hardcore riffs and scary sounds. Lovely hardcore, but certainly every song sounds about the same, except the beautiful vedic tunes intersperses (tracks 1, 5, 13). “Amrtasyaputra” is a great pounding track, and it just gets better and better. “Hymns From the Burning Chariot” starts off with drone and tabla and male Hindi vocals, before jumping at the throat with savage grindcore. “Meditations at Dawn” starts off with guitar and tabla, with female vocals in Hindi, mellow and beautiful. “Advaitamrta” is good fun, as it rock and rolls with aggressive, growled lyrics. “Immortality Roars” is something a bit different – it’s in Hindi but Rudra’s lead singer sings it, accompanied with drone and drums. “Reversing The Current” is pretty regular hardcore, as is “Venerable Opposites.” “Avidya Nivrtti” is almost anthemic, and is pretty good, driving grindcore. “Not the Seen But the Seer” is also pretty standard grindcore. “Adiguru Namastubhyam” is something you’d hear in the temple, and “Majestic Ashtavakra” is hard and loud and a good album closer.

Book reviews:

The Girl With The Dragon Tattoo, by Stieg Larsson – I initially bought this book out of frustration; I had a coupon to buy a book at Borders, a store I now despise, but they had none of the books I wanted to buy (Tintin and the Alph Art, Zombie Survival Guide, etc), so I bought a book from the display near the cashier, a book I had heard about and was curious about (I’m drawn into all “global sensation books”, if for nothing more than to try to understand their popularity) and was quite sure I’d like. I was right. The book follows the life of Mikael Blomkvist, who is an interesting fellow, and who bears some similarity to the book’s crusading journalist author – who I now know made it a personal mission to bring down right wingers and neo-Nazis, and who lived under death threats due to this (brave). The fact that he wrote this trilogy in his spare time simply amazes me, just as the fact that he died on the eve of the publication of the first of the three books depresses me.

The book starts off with Blomkvist on trial for a libel he’s foolishly allowed himself to be tricked into committing; this, and all the establishing stuff, occupies the first 50 pages of the book, even though it has nothing to do with the murder mystery at the book’s heart. No matter, there’s a leisurely pace throughout, and with time we eventually grow to care about Blomkvist and his odd entourage of life-friends and associates. We also meet Lisbeth Salander and slowly get to know her. The first part of the book is about him, then it’s about her, then it’s about them. Then, eventually, at its own leisurely pace, we find out about the mystery, and the aging industrialist who wants to find out what really happened 40 years ago. Great.

The book eventually boils over with thrills and chills, and it’s bloody good fun; the fact that it all takes place in Sweden, a country I’ve never explored, makes it oddly exotic.

One of the strange things about the book is Lisbeth Salander; she is described by reviewers as a fascinating, sexy, riveting creature. I’m not really impressed throughout, as she seems like dozens of pouty adolescent girls I’ve met over the years, a non-personality of sorts; of course, it’s not until the end of the book (and all throughout the next) that she really becomes interesting.

Funnily enough, I did manage to guess the central mystery of the book at some point, and that almost never happens; but what I couldn’t predict was how interesting the structure of the book is. To say too much would be to give things away, but I’d like to find out how often (other than in the Lord of the Rings) this has been done in bestselling literature.

One criticism of the book – I’m mystified why Larsson puts so many brands/product placements (7-Eleven, Jack’s Pizza, etc) into the book. Is this something he did, or is it a liberty that the publishers took knowing that the author had passed away? It would be interesting to find out, because it doesn’t seem like Larsson’s style to allow commercial concerns to have a place in his work.

The Girl Who Played With Fire, by Stieg Larsson – This was the first book in a very long time that I would think, when seeing how many pages were left before the end “I wish there were more,” i.e. “I wish I wasn’t so close to the end, I want to read more”. Just like the other book, the first fifty pages have nothing to do with the following 600. In this book, we learn less about the background story of Mikael Blumkvist and more about the mysterious background of Lisbeth Salander. We almost comprehend how a Mensa-level brain can be mistaken as a mentally undeveloped social outcast.

Once again the book begins in a leisurely fashion, telling this story, telling that story, then in a lacksadaisical fashion describing what Lisbeth Salander eats in the morning, how she hangs around her apartment, how she hacks into something, how she learns something else, how she wanders into the expose of prostitution rings, and then how she haphazardly becomes the target of a national manhunt as she’s fingered as the main suspect in a double murder.

Larsson introduces several more interesting characters into the plot, including a blond hulk (that’s HULK, not hunk), a sadistic psychologist, some bikers, some leather dikes, and a police investigative unit. While the hulk is interesting, he’s also a bit of a liability – how can an antagonist who can be spotted from a kilometer away be stealthy?

The book is episodic, and Larsson gives attention to characters, only to abandon them after only a short stretch. He also allows a plot that doesn’t quite make sense, murky motivations, and a sparse connection to the main crime of the book – the Eastern European sex trade. An Estonian prostitute is brutally murdered, but it’s not clear in the end who is guilty, except by association and some circumstantial evidence.

On top of this, we do see some expert operatives making classic blunders. For example, are we supposed to believe in a situation where a sharp mind like Lisbeth Salander can become too deep in concentration to hear the rumble of approaching Harley Davidson motorcycles. Well… I don’t think so.

But the book was better than many I’ve read recently, and I did love it dearly. I want to read the third one. I just hope its plot is a bit tighter than the second one, but I’d fear not – by the time he wrote it, Larsson was running out of time.

Flow My Tears, The Policeman Said, by Phillip K Dick – Believe it or not, the first book I’ve ever read by Phillip K Dick, although I’ve seen a bunch of movies based on his books (Blade Runner, Total Recall, Minority Report, Paycheck, A Scanner Darkly). The story starts off describing the life of a major celebrity and his lifestyle – casual sex partners from Hollywood hills, romps in Venice, drug indulgences and plenty of crazy, surrealistic living – before his life becomes surrealistic itself. He manages to cope with a descent into anonymity and all sorts of weird escape-the-cops-with-the-weird-stranger-who-just-befriended-you. Yeah, right. At the end, there’s an odd, cowardly encounter with the policeman of the title, and then some sort of crazy “ten years after, this is where the story’s proponents ended up” sort of thing. Groovy.

The Namesake

The Namesake

The Namesake, by Jhumpa Lahiri – A wonderful, easy read. Well-written and not too self-consciously poetic or exotic, it tells the simple and not too-heartwrenching tale of Gogol Gangali, born to Bengali parents in a suburb of Boston who grows up relatively happily, but eventually develops the usual insecurities about his heritage and his name. One odd thing about the book, which occasionally irritates, is how each part of the book seems to be “narrated” (although it’s done in the third person) by a different character, by three of the four members of the family and then eventually also by an outsider. There they are, all the passions of young life, the hopes and the dreams, the ordinary conflicts, and the poetry of daily life. No aliens attack, there are no major catastrophes, just the rituals of preparing food, preparing for holidays such as Christmas and thanksgiving (although there are Bengali festivals as well), and the changing nature of family. Nice.

DVD review:

The Last Supper

The Last Supper

Black Sabbath, “The Last Supper” – I’ve had this DVD on my shelf for a few months, never had the chance to watch it. Finally, on Friday night, I did.  GREAT STUFF!  But how could you expect anything less…

Basically, the DVD shows a concert and interviews with the band at the start of their reunion tour, and all four original guys are there, looking a little older, but only Bill Ward noticably different – he’s chopped off most of that hair and beard and looks like a pretty typical guy-at-the-pub… except that he’s BILL WARD, the legendary drummer of the greatest band that ever played! All the members are in fine form, and the songs are great: War Pigs, NIB, Electric Funeral, Fairies Wear Boots, Into the Void, Sweet Leaf, Snoblind, After Forever, Dirty Women, Black Sabbath, Iron Man, Children of the Grave, and Paranoid.

Of course, Ozzy is amusing, but it’s also interesting – and scary – to hear about the guys talking about how zonked they were on drugs. Bill claims he can’t remember anything about the “Heaven and Hell” sessions, which is amazing – it’s a great album. There’s an interesting scene when Tony, who’s probably told the story a million times, tells the tale of how his fretting hand was badly mutilated in an industrial accident and then actually shows off the prosthetic fingertips that have allowed him to continue on as one of the really great guitarists of our time. Then there’s some pretty warm joking around, like when they make fun of Bill for claiming that Black Sabbath were poineers. Yep, that’s right, get on the chuckwagon, feed the horses, that kind of ribbing. “Life and death, man, life and death.”

Learned a few things I didn’t know yet, which is basically about how bands that the guys had been in before Black Sabbath were called Rare Breed, and Mythology. Ozzy had attracted Tony and Geezer by putting up a sign that said “Ozzy Zig requires gig.”

Play that funky music, white boy

Sunday, December 20th, 2009

Did some music today:

Metallica’s “Master of Puppets” with the finale for “Coming Home (Sanitarium).”

Black Sabbath’s “Iron Man”, the very short version.

Great weekend

Sunday, November 1st, 2009

Wow, what a fun weekend. Friday I worked hard all day, then headed off to a pub to hang out with bankers and other journalists. No entertainment, but good food, good drinks, good people. Saturday I went to Sentosa to hang out with some of the same people (same host) at a golf event. My first time at such an event, I spent a lot of time in the VIP booth eating great food (yummy cheese platter!!!) and meeting people. I took a walk around the golf course as well. Great course, perfectly manicured, lovely soft, shaggy grass. Too bad the port is right there behind the tips of the lovely palm trees.

Went off to see Zen at his school at 7:00. We were supposed to go to a barbecue, but there was a massive downpour so we just went home and watched Ren and Stimpy.

Sunday we hung out in the morning, and went for a long walk to enjoy the cool after-rain air… and to finally do something out-of-doors as a family. In the afternoon I worked, Zen is at softball, the weekend is almost over. Can’t win ‘em all.

Saw the Christmas lights up on Orchard Road on Saturday, which was October 31st, Hallowe’en. They didn’t go up just for Hallowe’en, they’ve actually been up since mid-October. It’s never too early to start celebrating the winter holiday season, especially in snowless Singapore.

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Here are some silly videos that Zen and I made on the weekend:

Made some fun videos and pics with PhotoBooth

Sunday, October 25th, 2009

Groovy:

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The big splash

Sunday, August 9th, 2009

Check out this video. I think it’s fake, but it’s still pretty cool.

Farting Pig

Saturday, August 8th, 2009

Everybody Loves Farting Pigs (and dig the crazy flatulating eggs too):

Groovy videos!

Saturday, August 8th, 2009

Check out these videos. This one is done across a wall:

MUTO a wall-painted animation by BLU from blu on Vimeo.

And this one is done by taking thousands of still photographs and using them as stop motion animation. It gives the effect of a grandiose project of animating miniature figures, but it’s really photos. So simple, so elegant:

Helpless from Keith Loutit on Vimeo.

cum

Sunday, January 14th, 2007

Busy week, kinda, as I got a personal project finished, nice, finally. I also started my Japanese lessons on Friday the 12th. The lesson started at 19:15 and went to 20:00 or so. The teacher has this machine-gun comedian delivery which I find bewildering, but it should help me to actually learn a bit of Japanese so that I can pass my Japanese Language Proficiency Test level 2 (level 1 is the highest) this December. Yay!

Yesterday I ordered some CDs from Amazon, can’t wait for them to get in:

Sunn0))) and Boris – “Altar”
Isis – Oceanic
Boredoms – “Seadrum/House of Sun”
Godflesh – “Messiah”
Jesu – “Jesu”
Led Zeppelin – DVD collection

Last night my friend Robert and I headed out to Wala Wala in Holland Village to check out the band there, great stuff. Once again they played “War Pigs,” great stuff. They also played “Pour Some Sugar On Me” and “the Immigrant Song” and a bunch of other fun songs.

Naoko and Zen are still in Japan, but they will be coming back to Singapore soon. Can’t wait – they’ve been gone nearly three weeks.

In Singapore, the word “cum” is used often in the way a slash would. “We went to the parking lot cum rollerblading area,” where someone else would write “we went to the parking lot/rollerblading area.” This leads to some embarassing signs and emails.

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By the way, check out this old Flock Of Seagulls video to see one of the worst haircuts in the history of the planet.

I know it’s not hip to like the band, but I think that Flock of Seagulls really did have decent songs. And bad hair.